Women who conquered James Bond

No other British officer as he seduces both. A job like hers should have its logical compensation.

When Ursula Andres emerged from the sea with a white bikini, the crazed world. That day the girl was born Bond: Dangerous minds or indifferent in a body dangerous.
They opened the door of a latent eroticism and sensual, which defined the agent as one of the biggest womanizer and misogynist century, whose ideal woman had to do béarnaise sauce as well as love.

The Bond women should have an incredible physical presence and bring very little clothing. Those that have permeated the collective memory are those of before. The Shirley Eaton smothered by a bath of golden glitter, the aspiring Miss Universe Daniela Bianchi, Diana Rigg (the only one that made him go through the vicarage) and Miss France Claudine Auger were aggressive but sweet, but wild domables.

Soon, the good became more good and poor became more poor, so it ended up winning the last: the Grace Jones of "A View to a Kill", giving a skilful kicking and sinister, or Barbara Carrera "Never say never ever. " Only Carole Bouquet or Barbara Bach gave height. In "Goldeneye", the evil Famke Janssen maintains a great fight with Pierce Brosnan type.

The Bond of the nineties for example, looks at women as rivals or travel companions. In "Tomorrow never dies", Teri Hatcher and Michelle Yeoh are two sides of the coin.

The ten best records of the nineties British

These are discs that best illustrate what happens on the musical map of the islands in the nineties.

Oasis: "What's The Story Morning Glory"
Sony-1995. The cornerstone of Brit pop. A record that captivated thousands of souls and that transcended the borders of the perfidious Albion. It is characterized by its classic songs, spirit and claw rockers, sensitive pop melodies and in some arrangements.

Blur: "Parklife"
EMI-1994. If Oasis reminds The Beatles, Blur remembers to Bowie and Kinks. A record that includes electric ballads to the French, winks at mod revival, punk fury attacks, which in turn, know as English as tea.

Pulp: "Different Class"
Mercury-1995. Win them came nearly ten years after its debut. Jarvis Cocker became disenchanted chronicler of England and enjoyed playing with the Kitsch of the sixties. Contains melodies outburst with sound anachronistic.

Ocean Colour Scene: "Marchin 'Already"
Universal-1997. Cancino write inherited from the strength of Animals and other giants of rhythm and blues white, but adapting to the times.

Suede: "Suede"
Sony-1993. Tragedies of suburban life wrapped in rock with glamour. With this banda Gone are the dark years of pop. Baroque arrangements for songs that make the heart palpitations as the best melodrama characterize this record.

Elasticity: "elasticity"
Universal-1995. three girls, a boy. Their sound: punk intellectual joined the more commercial pop. A debut that caused furor because of songs that are pure adrenaline, concise and sharp. His style: hiperenergético.

The Boo Radleys: "C'mon Kids"
Sony-1996. in his career or have passed several stages in this record and all of them are concentrated. Psychedelia, noise and above all a melodic instincts that conjures the best of tradition, compose their subjects. It is a safety valve to stagnation inherent in the British pop.

PJ Harvey: "To Bring You My Love"
Mercury-1995. his music has no nationality. In return, as few other artists exorcise a whirlwind of emotions.

Tindersticks "Tindersticks 2"
Mercury-1995. Night music and film, with orchestral arrangements and commanded by a voice deep and sad. They are part of an elegant decadence to hear at dawn between smoke and vodka.

Radiohead: "OK Computer"
EMI-1997. its third album has won the unanimous applause from the critics. It is a dense disk that requires several listeners to enter. There are those who qualify as a symphonic rock.